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The Core Curriculum

Core Lecturers

The Core Lecturer position was created at Columbia in 2006 as a way of retaining Columbia College’s best graduate student instructors. The position offers three-year, faculty-rank postdoctoral appointments in which Core Lecturers, sometimes referred to as Core Faculty Fellows, teach almost exclusively in the Core Curriculum.

Core Lecturers represent some of the most skilled and dedicated teachers in the Core faculty. Harkening back to figures like Jacques Barzun and Lionel Trilling who, as young instructors, had a decisive impact on the energy, tenor and ambition of the Core, Core Lecturers bring fresh and cutting-edge perspectives to the classroom and contribute substantially to the weekly pedagogical discussions held by the broader faculty.

Contemporary Civilization

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Maria Bo

Department of English and Comparative Literature
lmb2204@columbia.edu

Maria Bo GSAS '18 received a dual B.A. in English literature and Linguistics from the University of California, Berkeley, and earned a Ph.D. in English and Comparative Literature from Columbia University in 2018.  While her research focuses on literary propaganda between the U.S. and China during the Cold War, the real love of her intellectual life is translation: what problems it causes, what unplanned effects it has, and how we can use it to better understand communication, politics, and what it means to be human.  In addition to teaching Contemporary Civilization, Maria has taught classes in literary criticism and theory, translation theory, and critical race theory at Columbia and Barnard.  She is also involved with the Global Language Justice Initiative hosted by the Institute for Comparative Literature and Society.  Her favorite CC author is Jean-Jacques Rousseau - not for his winning personality, but for his keen insights into human communities and the abiding tensions that keep us together while tearing us apart. 

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Nicole Callahan

Department of English and Comparative Literature
nac2003@columbia.edu

Nicole Callahan CC‘05, GSAS'17 received her Ph.D. in English Education from Columbia's Graduate School of Arts and Sciences in 2017. Her research focuses on composition pedagogies and the history of the essay. In addition to teaching Contemporary Civilization, she also teaches a Columbia course called “Humanities Texts Critical Skills” to the Justice-in-Education Scholars, a group of formerly-incarcerated men and women. She works on the Justice in Education Initiative, in collaboration with the Heyman Center and the Center for Justice, building a curriculum connecting canonical texts in core classes at Columbia (like Literature Humanities and Contemporary Civilization) to issues of mass incarceration for the “Justice in the Core” program. In 2016, Callahan was awarded the Graduate Student Core Preceptor Award for excellency in teaching Contemporary Civilization. She is also an adjunct instructor in English Education at Teachers College, Columbia University and a fellow of the National Writing Project at UCLA. She first encountered the texts of Contemporary Civilization in 2002-2003 as a student in the course, and although her favorite Contemporary Civilization text changes every year, Thomas Aquinas might be the current winner.

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Michelle Chun

Department of Political Science
mc2900@columbia.edu

Michelle Chun LAW’13, GSAS’17 is a political and legal theorist, whose research focuses on democratic theory, American pragmatism and jurisprudence. She also maintains research interests in American constitutional law and civil liberties, early modern liberalism and epistemology (especially the works of John Locke), and 20th Century continental political theory. She is currently revising her dissertation, "John Dewey and the Democratic Life of the Law," for publication. She received her PhD in Political Science from Columbia, where she also completed an MA, MPhil, and a JD as a dual degree candidate, and holds an undergraduate degree in Social Studies from Harvard University. Her favorite Core authors to teach are Karl Marx, Aristotle and W.E.B. DuBois.

 

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Daniel del Nido

Department of Religion
dmd2167@columbia.edu

Daniel M. del Nido GSAS’17 received his Ph.D. in Religion from Columbia University’s Graduate School of Arts and Sciences. He also holds an M.A. and an M.Phil in Religion, both from Columbia. He received his B.A. in Philosophy and Religion, highest honors, from Swarthmore College in 2010. Daniel’s research focuses on the intersection between philosophical and religious practices of self-formation, and particularly on how ideas of happiness, the good life and spiritual exercises drawn from ancient Greco-Roman philosophy are received in modern and contemporary religious thought. His dissertation, “Just Like Nature: Habit and the Art of Life”, is an investigation and assessment of a conception of the nature of habituation and its role in self-formation through philosophical and liturgical practices developed within a tradition of 19th and 20th Century French philosophy. Daniel is currently working on expanding his dissertation into a scholarly monograph, and has other work forthcoming in the Journal of Religious Ethics. Along with serving as a preceptor in the Core Curriculum, teaching Contemporary Civilization in 2015 and 2016, Daniel has also worked as an Adjunct Professor at Pace University from 2013 to 2014, where he taught "Religions of the Globe and Normative Ethics: Contemporary Problems." He is extremely excited to be returning as a Core Lecturer this fall, and is looking forward in particular to teaching his favorite Contemporary Civilization texts, Aristotle’s Nicomachean Ethics and Rousseau’s Discourse on the Origin of Inequality.

 

 

 

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Thimo Heisenberg

Department of Philosophy
lth2114@columbia.edu

Thimo Heisenberg received his Ph.D. in philosophy from Columbia in 2019. He holds an undergraduate degree from the University of Munich (with highest distinction), as well as a masters degree from Yale University, where he was a Fulbright Scholar. His research and teaching focus on German Philosophy, Social Philosophy and Political Economy. He currently works on two projects: the first reconstructs a new model of social critique from Hegel’s Philosophy of Right, the second explores the often neglected debate about the market economy in German philosophy 1800-1848 – and draws from it lessons for the present.

 Thimo’s work has appeared or is scheduled to appear in the European Journal of Philosophy, the Philosophisches Jahrbuch, in two anthologies on Schelling and in the Cambridge Kant Lexicon. Beyond the Fulbright scholarship, he has received fellowships from the German National Merit Foundation, the Max Weber Program, as well as from Yale and Columbia. In 2019, he received the Preceptor Award for Teaching Excellence in Contemporary Civilization.

 Thimo’s favorite book within the CC canon changes with the seasons, alternating dramatically between Nietzsche’s Genealogy and Kant’s Groundwork.

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Gal Katz

Department of Philosophy
gk2319@columbia.edu

Gal Katz received his PhD from Columbia’s Department of Philosophy in 2018. Before that, he earned an M.A. in Philosophy (summa cum laude) from Tel Aviv University, where he was a member of the Adi Lautman Program for Outstanding Students. His research revolves around the nature and social conditions of individual freedom. Drawing on Hegel’s (tacit and explicit) dialogue with other post-Kantian thinkers—and challenging the liberal tradition—he argues that full-fledged individual freedom includes aspects that will become central within 20th century existentialism and critical theory, such as a skeptical and critical attitudes towards social norms, differentiation from others, creative engagement, and even apprehension of death. He is especially intrigued by Hegel’s optimism about the prospects of accommodating such freedoms while maintaining stable and well-functioning social institutions, and believes it offers a sophisticated framework for thinking through social heterogeneity and individual identity in the 21st century. Given this research program, it is hardly a surprise that teaching CC has been Gal’s most fulfilling pedagogical experience in over a decade of academic teaching and tutoring—an experience that has also influenced his non-academic, creative pursuits as a writer and editor (for The Pointand Ha’aretz, among other publications). His favorite CC text is Nietzsche’s Genealogy of Morals(though he has learned some of his most important lessons from those texts he also dislikes). 

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Charles McNamara

Department of Classics
cjm2173@columbia.edu

Charles McNamara GSAS’16 is a classicist who studies the rhetorical tradition, intellectual history and ancient philosophy. He holds an A.B. from Harvard University and a Ph.D. from Columbia University. His doctoral research explored one widespread notion of certainty in antiquity—where certainty is understood as a matter of consensus, not demonstrative truth—and this notion’s afterlife in early modern Italy. After completing his Ph.D., he was a fellow at the Bayerische Akademie der Wissenschaften in Munich, where he was a lexicographer for the Thesaurus Linguae Latinae, a monumental dictionary of all Latin texts up to the seventh century. During his graduate education, Charles taught literary criticism, ancient languages and Contemporary Civilization. In addition to his appointments at Columbia, he regularly teaches with the Paideia Institute, a nonprofit educational organization dedicated to promoting the study and appreciation of the classical humanities, both in New York and in Rome. Before beginning his academic career, he taught English in an Arkansas public high school through Teach for America. Although he finds Plato and Aristotle endlessly fascinating, his favorite text to teach in Contemporary Civilization is Adam Smith's The Wealth of Nations on account of its provocative, perplexing and enduring contributions to many strands of modern thinking.

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Jason Resnikoff

Department of History
jzr2101@columbia.edu

Jason Resnikoff CC’08, holds a Ph.D. in History from Columbia University. He specializes in US labor history, intellectual history, and the history of technology. His current work considers the historical relationship between work and freedom, in particular the ideological origins of automation in the postwar United States of America. In both 2017 and 2018, Resnikoff was awarded the Core Preceptor Award for excellence in teaching Contemporary Civilization, the first time in the distinction’s history it was awarded to the same person two years in a row. A member of the Board of Advisors in the American Studies Department at Columbia, he has taught Contemporary Civilization on campus through the Office of the Core Curriculum, as well as to incarcerated students at Taconic Correctional Facility through Columbia’s Justice in Education Initiative. His favorite book on the CC syllabus changes all the time, but at the moment he’s most looking forward to teaching that taproot of the radical intellectual tradition, Rousseau’s Discourse on the Origin and Basis of Inequality Among Men.

Literature Humanities

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Sarah Arkebauer

Department of English and Comparative Literature
sa2719@columbia.edu

Sarah Arkebauer holds a BA from Penn and a PhD in English and Comparative Literature from Columbia (2019). Her dissertation explored contemporary avant-garde poetry and its relationship to material objects. She is at work on two research projects, one on the interplay between contemporary poetry and historical sources, and another on the cultural role of children’s historical fiction in the late twentieth century. Beyond Literature Humanities, Sarah has taught in Columbia’s University Writing program, the English Department’s Literary Texts, Critical Methods, and cross-genre courses in contemporary poetry and rap music. Her favorite texts on the Lit Hum syllabus are Toni Morrison’s Song of Solomon and Dante’s Inferno

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Gabriel Bloomfield

Department of English and Comparative Literature
gzb2101@columbia.edu

Gabriel Bloomfield holds a BA in English from Yale (2011) and a PhD in English from Columbia (2019). His research addresses the intersection of literature, religion, and interpretive practice in sixteenth- and seventeenth-century England. He is currently writing a book based on his dissertation research, Lyric Reading: Interpretive Poetics in the Age of Donne, and his articles have appeared and are forthcoming in a variety of academic journals, including English Literary History and Shakespeare Quarterly.

 

Gabriel has taught widely in the English department, including courses in Shakespeare, romantic poetry, science fiction, and critical methods. He was the department’s first Teaching Fellow in its study abroad program in London, and has also taught University Writing in the Core Curriculum. His favorite Literature Humanities texts are Sappho’s lyrics and Milton’s Paradise Lost.

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Kate Brassel

Department of Classics
kmb2028@columbia.edu
Kate Meng Brassel holds a B.A. from Columbia University, M.Phil. from the University of Cambridge, M.A. from Princeton, and Ph.D. in Classics from Columbia (2018). Her dissertation explored the Satires of Persius and the corpus' relation to philosophical and poetic imperativesHer research interests include ancient humor, Hellenistic philosophy, and the history of punctuation, especially "quotation." She is currently at work on a project about moral choice in early imperial literature. Beyond Literature Humanities, Kate has taught a variety of language and literature courses in the Classics Department, including Latin language, Augustan poetry, and a course on the ancient and modern reception of the Hercules myth in literature, philosophy, and film. Her favorite Core texts to teach are Plato's Symposium and Woolf’s To the Lighthouse. Kate also harbors a particular preference for Canto XXVI (Ulysses) of Dante’s Inferno.
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Nassime Chida

Department of Italian
njc2134@columbia.edu

Nassime Chida received her Ph. D in Italian and Comparative Literature from Columbia University in 2019. She also holds a M.St from the University of Oxford, (Brasenose College) and a B.A in French and Italian from University College London. Her doctoral dissertation attended to the political content of Dante's Inferno, focusing on Dante's representation of local political leadership. Her research involves an immersion into the political history of Medieval Italy. Nassime is particularly interested in poetry as a site of political contestation and in the representation of tyranny. Nassime taught Elementary Italian at Columbia for three years (2013-16), and Literature Humanities for two years (2016-17 and 2018-19). She won the Preceptor's award for excellence in teaching in Spring 2019, a distinction awarded by Columbia students. Her favorite Core book after Dante's Inferno is the Iliad of Homer.

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Dalia Inbal

Department of Germanic Languages
di2121@columbia.edu

Dalia Inbal specializes in German and Austrian modernist literature. She received her Ph.D. in Germanic Languages and literatures from Columbia's Graduate School of Arts and Sciences in 2016. Her research focuses on the works of Franz Kafka. Before coming to Columbia, she studied comparative literature and Jewish studies at the Freie Universität in Berlin. She also spent a year as a Fulbright exchange scholar at the Jewish Theological Seminary in New York. During her graduate studies at Columbia, she taught Literature Humanities for four semesters as a Core preceptor. She also taught for six semesters in the Department of Germanic Languages (Elementary German I and II, and Intermediate Conversation). Her favorite Lit Hum books are Homer's The Iliad and Cervantes' Don Quixote and she is very excited to continue to teach Lit Hum as a Core Lecturer.

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Michael Paulson

Department of English and Comparative Literature
msp94@columbia.edu

Michael Paulson holds a B.A. and Ph.D. in English and Comparative Literature from Columbia University. His specialization is in British literature of the long eighteenth century, and he is currently working on a book project that considers how time structures social life in the early British novel from Henry Fielding to Jane Austen. His article, "Present, Period, Crisis: Desynchronization and Social Cohesion in Jane Austen" is forthcoming in Modern Philology, November 2018. Beyond Literature Humanities, Michael has taught University Writing and eighteenth-century studies at Columbia. His favorite texts on the Lit Hum syllabus are the Iliad and Pride and Prejudice.

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Jennifer Rhodes

Department of Italian
jgr21@columbia.edu

Jennifer Rhodes CC’00, GSAS’17 holds a PhD in Italian and Comparative Literature and Society from Columbia’s Graduate School of Arts and Sciences. Her research investigates sites of interchange between literature and the visual and performing arts in Europe and the Americas. Her current book project explores the influence of Richard Wagner on the 20th century novel. Jennifer draws extensively upon the disciplines of film studies, performance studies and gender studies in her work. She spends summers on the staff of The Santa Fe Opera, where she runs and writes subtitles and speaks frequently on opera and drama.

Jennifer is a devoted fan of the Core Curriculum as a whole. She completed her B.A. in Comparative Literature at Columbia College and credits the Core with sparking her enduring fascination with the ways in which narratives move across the permeable membranes of medium, culture and time. While a graduate student, Jennifer received the 2015 Meyerson Award for Excellence in Core Teaching for Lit Hum. She is deeply invested in experimental pedagogy, particularly in strategies that incorporate performing and visual arts practices into the literature classroom.

Her favorite cross-Core transformation is Richard Strauss’ Elektra, a 20th century operatic remix of Aeschylus’ Libation Bearers and Sophocles’ Elektra.

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Zachary Roberts

Department of English and Comparative Literature
zjr2105@columbia.edu

Zachary Roberts holds a B.A. in English from Bowdoin College (2008) and a Ph.D. in English and Comparative Literature from Columbia University (2018). His dissertation explored connections between the visual arts and American realist fiction of the late nineteenth century. His current research focuses on nineteenth and early twentieth century literary and art history, particularly theories of realist aesthetics and the development of the novel. Besides Literature Humanities, Zachary has taught in Columbia’s University Writing Program, and has also taught courses on literary impressionism and nineteenth century painting, as well as the influence of painting, opera, and other arts on the development of the American novel. Zachary is also affiliated with the Center for American Studies, where he advises students and research projects. His favorite texts to teach on the Lit Hum syllabus are Augustine’s Confessions, Milton’s Paradise Lost, and Woolf’s To the Lighthouse. He has always wondered what Lily Briscoe’s paintings look like.

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Shulamit Shinnar

Department of History
ss2392@columbia.edu

Shulamit Shinnar holds a PhD in History from Columbia University (2019), a MA with distinction in Rabbinic Literature from the Jewish Theological Seminary (2011), and a BA in Philosophy from Columbia University (2009). She studies the cultural, intellectual, and religious history of ancient Jews in the Mediterranean world, specializing in rabbinic literature. Her research engages with theoretical questions from medical anthropology, the history of science and medicine, the study of gender and sexuality, disability studies, and post-colonial theory. She is working on a book that explores Jewish medical culture in late antiquity, focusing on medicine as a site for social encounter and cultural exchange between different ethnic, religious, and gender identities. She is a recipient of the Presidential Teaching Award, the highest teaching honor at Columbia University. In addition to teaching Literature Humanities as a preceptor, she has taught courses at the Jewish Theological Seminary examining theories of justice in ancient Jewish literature. She is thrilled to be returning to teach Lithum as a Core Lecturer this fall. Some of her favorite works to teach on the syllabus include Aeschylus’ Oresteia and Virginia Woolf’s To the Lighthouse.

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Sahar Ullah

Department of Middle Eastern, South Asian and African Studies
su2156@columbia.edu

Dr. Sahar Ishtiaque Ullah is a Lecturer in Literature Humanities at Columbia University where she earned her Ph.D. in Arabic and Comparative Literature. Her work has been published in journals and webzines including the Cambridge Journal of Postcolonial Literary InquiryJournal of Arabic LiteratureUmmah WideChapati MysteryBarazaArabic Literature and Translation, and The Once and Future Classroom. In addition to teaching college students, Dr.Ullah has also taught storytelling classes for young women incarcerated at Rikers Island through the Rikers Education Initiative. She is the recipient of numerous prestigious awards, including the Core Preceptor Award for Teaching Excellence and the Presidential Teaching Award, the highest teaching honor at Columbia University.Committed to bridging her scholarship, critical pedagogy, and art, Dr. Ullah is also the Artistic Director and Playwright for Hijabi Monologues, a play that has toured over the last decade across the United States and internationally including the UK, the Netherlands, Ireland, Indonesia, and Canada. Ullah’s work has been reviewed by media outlets including the BBCThe StageExeunt MagazineThe Asian Writer, and British Council Voices. She holds a BA in English, Religious Studies, and Political Science from the University of Miami and an MA in Middle Eastern Studies from the University of Chicago.