Lenfest Presented with Alexander Hamilton Award

Friday, November 18, 2011

H.F. “Gerry” Lenfest ’58L, the benefactor who has done more than any other to build the faculty teaching in Columbia College, received the 2011 Alexander Hamilton Medal on November 17 at a black-tie dinner in Low Rotunda. A highlight of the dinner was the announcement by President Lee C. Bollinger that Lenfest and his wife, Marguerite, have pledged $30 million to help build a multidisciplinary arts venue on the Manhattanville campus. It is the largest gift ever made for the arts at Columbia.

PHOTO: Eileen BarrosoPHOTO: Eileen Barroso H.F. “Gerry” Lenfest ’58L, the benefactor who has done more than any other to build the faculty teaching in Columbia College, received the 2011 Alexander Hamilton Medal on November 17 at a black-tie dinner in Low Rotunda. The medal is awarded annually by the Columbia College Alumni Association for distinguished service to the College and accomplishment in any field of endeavor and is the College’s highest honor.

View photos from the dinner

A highlight of the dinner was the announcement by President Lee C. Bollinger that Lenfest and his wife, Marguerite, have pledged $30 million to help build a multidisciplinary arts venue on the Manhattanville campus. It is the largest gift ever made for the arts at Columbia.

“The breadth of Gerry Lenfest’s philanthropy and generosity to Columbia is truly remarkable,” Bollinger said at the dinner. “From the law school he attended to the humanities and sciences, from the Earth Institute to our medical center, Gerry has provided the sustainable source of energy for excellence across a diversity of University life and scholarship. This latest gift not only reflects the extraordinary leadership in the arts that he and Marguerite have long demonstrated in their home city of Philadelphia, but it also it ensures that our thriving School of the Arts will finally have a facility that matches its astonishing creativity and the university will have a vital new space for engagement in the robust cultural life of Harlem.”

In an announcement to the Columbia community on November 18, Bollinger added, “The Lenfest Center for the Arts will play a central role in the development of the Manhattanville campus and in the life of the University. This six-floor facility, to be designed by Renzo Piano, will be more than a beautiful building containing an art gallery, a film screening room and a performance space: It will serve as a hub for the creation of new work and the refinement of works in progress across various media, featuring exhibitions, theatrical performances, symposia, and lectures that present new artistic voices and perspectives from around the globe.”

James J. Valentini, interim dean of the College and vice president of undergraduate education, likened Lenfest and the impact of his philanthropy to 19th-century English scientist Michael Faraday, “who had more things in science named after him than any other person,” including the Farady Effect. Valentini noted that the theme of the dinner was the celebration of the wide-reaching “Lenfest Effect” on Columbia, its faculty and its students. “Gerry’s legacy, like that of Michael Faraday, will continue for all time,” Valentini said.

“I’m deeply honored to receive the Alexander Hamilton medal,” Lenfest told the alumni, faculty, students and guests who filled Low Rotunda. “Although I did not attend Columbia College, I value greatly a liberal arts education, and that is the motivation for my gift to Columbia and the arts announced tonight.” In his remarks, Lenfest noted the connection between the arts and the Core Curriculum and read from letters he had solicited from alumni on the impact the Core had on their lives.

Lenfest’s giving is remarkable for both its scale and enormous range. His $37.5 million Arts and Sciences match pledge, made in 2006 to match gifts for endowed faculty chairs in the Arts and Sciences, inspired other donors to create 25 new endowed professorships. The Distinguished Columbia Faculty Awards, established by Lenfest in 2005, also build this faculty by recognizing those who excel not only in research but also in the instruction and mentoring of undergraduate and graduate students. So far 53 faculty members have received the honor.

Also in 2006 Lenfest pledged $10.5 million to match endowed professorships at the Law School. He has given extensively in support of the Lenfest Hall residence and other Law School projects and programs. His broad interests encompass promoting sustainable development and advanced solutions to global climate change and acute global poverty, including support for the Lenfest Center for Sustainable Energy, the Gary C. Comer Geochemistry Building at Lamont Doherty and other Earth Institute initiatives.

Lenfest continues to support the College and earlier this fall established, together with Board of Visitors Chair and University Trustee Jonathan S. Lavine ’88, a matching fund to endow five assistant professorships in the Core Curriculum. His commitments to the Campbell Sports Center and the Columbia University Libraries promise to have direct impact for students.

Lenfest’s long record of giving also includes support for financial aid at P&S, various initiatives at Nursing, Miller Theatre and more, and he chairs the University’s 1754 Society, an association of all who have named Columbia in their estates. A University Trustee since 2001, Lenfest was presented with the Honorary Doctor of Laws from the University in 2009.

A graduate of Washington and Lee, Lenfest practiced law at the New York firm of Davis Polk & Wardwell before becoming corporate counsel of Walter Annenberg’s Triangle Publications in 1965. In 1970 he was made managing director of the company’s communications division, then consisting of Seventeen magazine and Triangle’s cable television properties. In 1974 he started Lenfest Communications with the purchase of two cable television companies from Annenberg. In 2000, the company, with more than 1.2 million subscribing homes, was sold to COMCAST Corp.

In addition, Lenfest serves or has served on the boards and councils of many nonprofit organizations, including the Philadelphia Museum of Art, where he serves as chairman of the board of trustees, chairman of the James Madison Council of the Library of Congress and chairman of the board of trustees of the Curtis Institute of Music. He is a past trustee of Washington and Lee and past president of the board of Mercersburg Academy.

Lisa Palladino

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The Center for the Core Curriculum to present lecture on "Mozart’s Don Giovanni and the Literary Imagination"

Monday, November 14, 2011

The Center for the Core Curriculum will present a lecture on “Mozart’s Don Giovanni and the Literary Imagination” at 11 a.m. Friday, Nov. 18, at Miller Theater. Professor Elaine Sisman, Chair of Music Humanities, will discuss the literary tradition of the Don Juan story and its reinvention by Mozart to become an opera of unsettling moral ambiguity. 

The Center for the Core Curriculum will present a lecture on “Mozart’s Don Giovanni and the Literary Imagination” at 11 a.m. Friday, Nov. 18, at Miller Theater. Professor Elaine Sisman, Chair of Music Humanities, will discuss the literary tradition of the Don Juan story and its reinvention by Mozart to become an opera of unsettling moral ambiguity. The lecture, which is intended to connect the various Core courses, is geared towards students in Contemporary Civilization, Literature Humanities and Music Humanities courses, but is also open to the greater Columbia College community.   

The lecture will give students the opportunity to think about Lit Hum topics in the context of Music Hum, including reinventing stories, gender and power, and how individual desires conflict with social responsibility. Questions addressed will include: What are the ethical and political implications of Mozart’s opera? Does the opera condemn the Don for rape, murder, and blasphemy or celebrate his freedom and sensuous life force? Of what is he guilty? For which crimes is he sent to hell? How vicious and guilty are his female characters? In the end, what are we told about human freedom, desire, virtue, and responsibility?

When Mozart and his librettist Lorenzo Da Ponte took up the story of trickster and seducer Don Juan, it was already featured in numerous plays and operas. But Mozart and Da Ponte turned a story of moral clarity into one of unsettling ambiguity. By the end of the opera, the audience questions the motives and actions of every female character—the two women the Don pursues onstage and the revenge-seeking woman he abandoned—as well as the supposedly irresistible Don Giovanni himself. Don Giovanni will be performed at the Metropolitan Opera this winter. 

To register for the lecture, click here. For additional information, call the Center for the Core Curriculum at 212-854-2453. 

 

Columbia College students invited to dinner and discussion with professional actors, writers, and producers

Monday, November 14, 2011

The Center for Career Education and the Columbia College Alumni Association Career Education Committee are inviting Columbia College students to an intimate dinner with professional actors, writers, and producers to learn the ins and outs of the film and TV industries.

The Center for Career Education and the Columbia College Alumni Association Career Education Committee are inviting Columbia College students to a dinner and discussion on the film and television industries with professional actors, writers, and producers. The dinner will take place on Nov. 28 at the Alumni Center on 113th Street and Broadway. Attendees will include Dan Futterman, CC ’89, Anya Epstein, and Jason Kim, CC ‘08. Students must apply in advance for a spot. 

Futterman, an actor and screenwriter, has appeared on Broadway in Angels in America, and Off-Broadway at Lincoln Center and Manhattan Theatre Club in The Lights, A Fair Country, Dealer's Choice. His films include A Mighty Heart, The Birdcage, and Urbania, and he was nominated for a 2005 Academy Award for his screenplay for the film Capote. He and his wife and writing partner, Anya Epstein, were showrunners for the third season of the HBO series In Treatment, and are developing a new series for HBO called T. Futterman is also working with director, Bennett Miller on a forthcoming film, Foxcatcher.

Epstein, a television writer and producer, began her career on NBC's Homicide - Life on the Street. Besides In Treatment, her credits include ABC's Commander-in-Chief and HBO's Tell Me You Love Me.  

Jason Kim has worked at The New Yorker, HBO, Focus Features, and Indian Paintbrush. He is currently pursuing an MFA in Playwriting at the New School for Drama where he studies with Christopher Shinn, Michael Weller, and Jon Robin Baitz. He is the recipient of the Marcie Bloom Fellowship in Film and the Soros Fellowship for New Americans.

The dinner is open only to Columbia College students, and space is extremely limited. Students must apply for the dinner via Sundial, and will be placed on a waiting list until they have been approved. For more information, contact Elizabeth King at ek2471@columbia.edu or 212-851-0276.

 

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Center for Career Education to help students "Get the Internship"

Wednesday, November 9, 2011

The Center for Career Education is holding three "Get the Internship" workshops this Friday to help students find a summer internship in a variety of fields. The workshops are entitled “Get the Internship: On Campus Recruiting Program,” “Get the Internship: How to Fund an Unpaid Internship,” and “Get the Internship: Develop an Effective Plan." They will take place in Room 501 of the Northwest Corner Building. 

The Center for Career Education is holding three workshops to help students secure a summer internship on Friday afternoon. The workshops, entitled “Get the Internship: On Campus Recruiting Program,” “Get the Internship: How to Fund an Unpaid Internship,” and “Get the Internship: Develop an Effective Plan,” will take place in Room 501 of the Northwest Corner Building on 120th and Broadway.  Students can register on the Center for Career Education website for the specific session or sessions they would like to attend.  

The sessions include:

Get the Internship: On Campus Recruiting Program (12-12:30 p.m.) 

Part I:  Learn how to navigate LionSHARE and the On-Campus Recruiting process in your internship search.

Part II:  Hear from industry experts about the ins and outs of the finance and consulting industries and learn how to best prepare to get an internship.

  • Finance Industry 101 – Presented by Blackrock
  • Consulting Industry 101 – Presented by Brad Aspel, Columbia Business School '06, former consultant at McKinsey & Company and Alaattin Ozbas, SEAS '08, GEP Consulting

Get the Internship: How to Fund an Unpaid Internship (2:30-3:15 p.m.)

Learn about CCE summer funding programs, internship opportunities, and strategies to fund an unpaid internship. Begin planning early so you will be prepared for upcoming funding program deadlines.  Programs discussed will include the Alumni & Parent Internship Fund and the Work Exemption Program, along with Columbia Experience Overseas program, the CU Internship Network, and the Science Technology Engineering Program. The Fellowships office will also present resources and creative strategies to fund internships, fellowships and other academic and professional pursuits.

Get the Internship: Develop an Effective Plan (3:15-4:45 p.m.)

This workshop will help students identify career resources and recruiting timelines for a range of fields, including arts, media, law, government, nonprofit, engineering, education, and healthcare, and develop a plan to secure an internship in their target industry.

The event is sponsored by the Center for Career Education in partership with the Columbia College Student Council, the Engineering Student Council, and the General Studies Student Council.

 

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Center for the Core Curriculum to present Euripides’ "Iphigeneia at Aulis"

Wednesday, November 9, 2011

The Center for the Core Curriculum will present Euripides’ Iphigeneia at Aulis, for students in the Literature Humanities course and other members of the Columbia College community at 6 p.m. Sunday, Nov. 13, at Miller Theater. The play will be performed by the Acting Class of the Theatre Department of the School of the Arts. There will be a discussion after the performance.

The Center for the Core Curriculum will present Euripides’ Iphigeneia at Aulis for students in the first-year Literature Humanities course at 6 p.m. Sunday, Nov. 13, at Miller Theater. The play will be performed by the Acting Class of the Theatre Department of the School of the Arts. Members of the Columbia College community are welcome to attend. 

Iphigenia at Aulis is the last existent play of the playwright Euripides. It was written between 408 and 406 BC, the year of Euripides’ death. It was first produced in 405 BC by the playwright’s son, Euripedes the Younger. The play revolves around the Greek leader Agamemnon and his decision to sacrifice his daughter, Iphigenia, to appease the gods and ensure the good fortune of his forces in the Trojan War.

Literature Humanities: Masterpieces of Western Literature and Philosophy has been part of the Columbia College Core Curriculum for decades. Each fall, students read several ancient Greek works. This year’s syllabus includes The Illiad, Aeschylus’ Orestia, Sophocles’ Oedipus, and Euripdes’ Medea.

The Theatre Department of the School of the Arts has performed plays for Literature Humanities students each year for several years. Last year, students performed Euripedes’ Medea.

The performance is geared towards Literature Humanities students, but all members of the Columbia College community are welcome. After the play, Director Kristin Linklater, Barnard Classics Professor Helene Foley, and Christia Mercer, Gustave M. Berne Professor in the Department of Philosophy and Chair of Literature Humanities, will discuss the play and take questions.

For more information or to RSVP, click here or email core-curriculum@columbia.edu.

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