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ALUMNI PROFILE
Louis Zukofsky '24, Pioneer Objectivist Poet, To Be Celebrated
Upon His Centennial
By Paul Stephens '98 GSAS
To Ezra Pound in 1933, Louis Zukofsky '24 wrote
of himself: "L.Z. cannot teach in Columbia Univ. and L.Z. takes
it for granted."
Now acknowledged as one of the most important American poets of
his generation, Zukofsky believed that he could not return to his
alma mater because he was a Jew and a Marxist. That Zukofsky would
confess his frustration with Columbia to Pound, a notorious anti-Semite,
stands out as a remarkable episode in Zukofky's long and fascinating
life.
Since his death in 1978, Zukofsky slowly has risen in the estimation
of literary scholars, yet his work still is not widely read. William
Carlos Williams claimed that Zukofsky was "the most important and
neglected poet of our time." Like the writing of James Joyce or
Gertrude Stein, which he admired, Zukofsky's writing is hermetic,
allusive and challenging. Difficult though it may be, his poetry
rewards the persistent reader. Zukofsky's poems are richly musical
and formally innovative, and they present an enduring personal record
of American cultural politics from the 1920s through the 1970s.
From September 17-19, a centenary celebration of Zukofsky's work
will take place at Columbia and Barnard, with many important poets
and scholars in attendance. This is significant because after graduating,
having also earned a master's in English and comparative literature
from GSAS in 1924, Zukofsky was never invited back to speak, read
or teach. Born on the Lower East Side in 1904 to Yiddish-speaking
Russian immigrant parents, Zukofsky went to Columbia at 16. It was
an auspicious time to be there: His professors included John Dewey,
Franz Boas, Frederick Woodbridge, John Erskine (Class of 1900) and
Mark Van Doren. His best friend at Columbia was Whitaker
Chambers '24.
Zukofsky's poetic career received its greatest boost when Pound
responded favorably to a selection of his work in 1927. The two
would form an enduring, at times painful, friendship. Pound introduced
Zukofsky to Williams, and it was largely through Pound that Zukofsky
came to know a wide circle of poets, including George Oppen, Charles
Reznikoff, Lorine Niedecker and Basil Bunting. He coined the term
"Objectivism" to describe his work and theirs; collectively, the
Objectivist poets sought to write an unsentimental, socially committed
poetry that would feature, in Pound's terms, "direct treatment of
the thing." Pound became increasingly fascist and anti-Semitic in
the 1930s and his growing mental instability exasperated Zukofsky.
Even so, Zukofsky felt a debt of gratitude to Pound and defended
him even after Pound was convicted of treason after World War II.
During the 1940s, Zukofsky gradually left Marxism behind. He and
his wife, Celia Thaew, whom he married in 1939, had a son, Paul,
in 1943, and his poetry centered increasingly on the family. Around
this time, Zukofsky undertook a mammoth critical project titled
Bottom: On Shakespeare. He also continued work on his epic
poem "A", which he would finish in 1974. Throughout the
1950s and '60s, Zukofsky led a life of relative tranquility, teaching
English at Brooklyn Polytechnic Institute. Despite his relative
anonymity, he continued to be prolific, and his writings inspired
a new generation of poets including Robert Creeley, who will speak
at the conference, and Allen Ginsberg '48.
For his 80th birthday, Zukofsky planned a collection of poems titled
80 Flowers. Each poem was to correspond to a flower and
have eight lines of five words per line. A poem such as Zinnia
displays the rich difficulty of his late work and, like many Zukofsky
poems, is best read aloud:
With prayer-plant eyes annually winter-leggy
zinnia miracles itself perennial return
blest interim strength lengthening coreopsis'-summers
actual some time whereso near
zebra-fragrant sharpened wave currents tide
new moon to full sunrise
sunset enable ships seaworth slow-rounds
rosette lancers speared-yucca's white night
For his 90th birthday, Zukofsky planned a collection called 90
Trees, which would parallel 80 Flowers. He died at
74, just after finishing 80 Flowers ahead of schedule.
As we welcome Zukofsky back to Columbia, 80 years after his graduation
and 100 years after his birth, we can only imagine what his poems
to celebrate a century would have looked and sounded like.
Paul Stephens '98 GSAS is a Ph.D. candidate
in English.For more information about the September 17-19 Louis
Zukofsky Centennial Conference, contact him at ps249@columbia.edu,
or visit the conference Web site,
http://writing.upenn.edu/epc/authors/zukofsky/100/.
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